CONSTELLATIONS STRANGE

ENGINEERED, MIXED AND MASTERED BY ANDY MATHISON AT TREESPEAK STUDIOS / SONGS WRITTEN AND PERFORMED BY FARFARAWAY Album DESIGN BY ERIC HEGGERNES / PHOTOGRAPHY BY YOSHI PARRAL
© 2026 FarFarAway BAND, LLC / HYGH TENSION RECORDS
CONSTELLATIONS STRANGE LINER NOTES
FARFARAWAY IS: TOM BRASHER, TIMMY G, ERIC HEGGERNES, JASON HITCHCOCK AND MARTY LIENKE
FARFARAWAY DOESN’T OPPERATE ALONE AND SO WE ARE ETERNALLY GRATEFUL TO: OUR FAMILIES AND FRIENDS WHO HAVE SHOWN US OVERGROWN TEENAGERS ENDLESS LOVE, SUPPORT, AND PATIENCE; TREESPEAK STUDIOS-ESPECIALLY ANDY MATHISON FOR YOUR HARD WORK, PASSION AND DEDICATION TO THIS RECORD; RYAN SMITH AND HYGH TENSION; CORY, JUNO AND EVERYONE AT PILLLAR FORUM; THE CREW AT ZHORA DARLING; ZACH EWALD AND EVERYONE AT PROJECT 37; B-SIDE CAFE; DANI, NICOLE AND KATY AT TUMBLING ROCK ZINE; YOSHI PARRAL; DAN MICHENER; JESSI JO; SUGARCOAT; ATOMIC LIGHTS; UNDERGROUND ‘TIL SUNDOWN; POWERDAM; HAELSTROM IN THE HARBOR; HEED THE WARNING; CUT RATE CLONES; AND EVERYONE WHO HAS SUPPORTED US AND THIS WEIRD ROCK & ROLL HABIT WE HAVE. CREATING AND PLAYING MUSIC IS OUR ESCAPE, OUR RELEASE AND OUR THERAPY. WE ARE GRATEFUL TO HAVE YOU TO SHARE IT WITH.
ENGINEERED, MIXED AND MASTERED BY ANDY MATHISON AT TREESPEAK STUDIOS / SONGS WRITTEN AND PERFORMED BY FARFARAWAY ALBUH DESIGN BY ERIC HEGGERNES / PHOTOGRAPHY BY YOSHI PARRAL
© 2026 FARFARAWAY BAND, LLC / HYGH TENSION RECORDS
Constellations Strange – Lyrics
Housewives in Suburban Ghettos
Overview: “A critique of modern domestic life, this song explores themes of corporate loyalty, social stagnation, and the sense of rejection felt when trapped in an “isolated doll’s house”. It questions the true meaning of wealth and individuality amidst the pressures of conformity”
Lyrics:
Critical miscalculation off the fire line
Pulled us from these sturdy tracks back in ‘29
Programmatic manifesto
Housewives in suburban ghettos
Modern art: Dissipated
Choice and change: Abdicated
In the end,
It’s just the essence of rejection
What is wealth if not the universality of life?
All this mess in my head is all I’ve got to show
Did you get the memo?
Obedience and loyalty
Oaths sworn to the company
Programmatic manifesto
Housewives in suburban ghettos
Isolated in the doll’s house
Cooked the books, burnt the place down
In the end,
It’s just the essence of rejection
What is wealth if not the universality of life?
All this mess in my head is all I’ve got to show
Did you get the memo?
Oppression is our new obsession
Rooted in social recession
There’s always one more bond to break
While stuffing your face full of cake
Always one more step to take
When trying to escape your fate
Love withers under
Love withers under
Love withers under
You!
In the end,
It’s just the essence of rejection
What is wealth if not the universality of life?
All this mess in my head is all I’ve got to show
Did you get the memo?
Necronom IV
Overview: “Set in a space-faring crisis, this track follows a crew losing their minds as they drift off-course with a dangerous “foreign creature” on board. The lyrics grapple with internal and external mistrust, ultimately questioning if they should embrace the “searing pain” of the unknown.”
Lyrics:
A half-completed atlas won’t show you to the path
Lost amidst the blueshift
Cascading through the past
Open the atrium
Constellations strange
Mother’s got no bearing
Failure to explain
Oxygen is running thin and the crew is losing it
We’ve let aboard some foreign creature
And I feel we’re losing all control
Idle cursor
Check flight status: Red
No responses
Liquify the dead
Giving ourselves up to gravitic pull
Sliding deeper down into the well
Oxygen is running thin and the crew is losing it
We’ve let aboard some foreign creature
And I feel we’re losing all control
No response to calls for answers
Endless pings ignored
Can we trust each other?
Can we trust ourselves?
A monster lies within
Consuming aberration
It might be our only option
Set the air aflame
Embrace the searing pain
Can we trust each other?
Can we trust ourselves?
A monster lies within
Consuming aberration
Maelstrom
Overview: “This song serves as a metaphor for a relationship that feels like a sinking ship, comparing emotional turmoil to being pulled under by an undertow. As the credits roll on the connection, the narrator reflects on a “tragic ending” where they are left to face the truth of their failed intentions.”
Lyrics:
Fleeting
The pigment of leaves in the river’s run
A ceiling of clouds the sun just can’t breach
Holding on to you
Slipping through my reach
Tried to mend these sails with paste and spackle
Calcified resin stitched with hooks and tackle
Like a story with a tragic ending
The kind where the girl gets away
Crashing through the breakers
We fell overboard
Pulled beneath the surface
She’s the undertow
Let go of everything we’re not
Straight down
Raced to the bottom of that place filled with intentions
High tide swept through and it ended
It all comes into view
A different side of you
Failed to make it true
Tonight
Across the threshold now
You give yourself away
The black consuming light and filling your airway
Are we up or down?
Are you still with me?
A panicked outstretched arm then you gripped me
Tried to mend these sails with paste and spackle
Calcified resin stitched with hooks and tackle
Like a story with a tragic ending
The kind where the girl gets away
Crashing through the breakers
We fell overboard
Pulled beneath the surface
She’s the undertow
Let go of everything we’re not
Straight down
Raced to the bottom of that place filled with intentions
High tide swept through and it ended
It all comes into view
A different side of you
Failed to make it true
Tonight
And the credits start to roll
No more chances
And the credits start to roll
Last call for dances
No more chances
No more dances
Crashing through the breakers
We fell overboard
Pulled beneath the surface
She’s the undertow
Let go of everything we’re not
Straight down
Raced to the bottom of that place filled with intentions
High tide swept through and it ended
It all comes into view
A different side of you
Failed to make it true…
Polybius
Overview: “Inspired by urban legends of mind-controlling arcade cabinets, this track depicts a sense of paranoia and infection in a town where “nothing ever happens”. The feeling of being hunted by “men dressed in black” while suffering from hallucinations and the buzz of mysterious technology.”
Lyrics:
Can’t sleep
My eyes are so dry
Can’t keep my mind occupied
I’m not feeling well
I’m not feeling well
In shrubs and bushes they hide
In unmarked vans parked right outside
I’m not feeling well
I’m not feeling well
There’s something wrong in here…
Emerging from the shadows
Take back the night
We’re moths into the light
Feels like something’s missing
Swept under rugs
Men dressed in black will come
Hallucinations haunt me
Voices from shadows calling
I’m not feeling well
I’m not feeling well
Buzz from bright neon lights
Cold sweats my minds in overdrive
I’m not feeling well
I’m not feeling well
They infect your mind…
Emerging from the shadows
Take back the night
We’re moths into the light
Feels like something’s missing
Swept under rugs
Men dressed in black will come
In a black unmarked cabinet
In a dark and rainy town
Where nothing ever happens
A perfect proving ground
In a black unmarked cabinet
They seek to take control
Brainwashed the willing masses
Sick kids and protocols
Emerging from the shadows
Take back the night
We’re moths into the light
Feels like something’s missing
Swept under rugs
Men dressed in black will come
Chrome and Gore
Overview: “A dark reflection on surviving a traumatic event, It focuses on the internal struggle to move past the fallout and realize that one’s fate is defined by their own choices.”
Lyrics:
These forms collide just like before
Sweet sound they made scraped ‘cross the floor
That choking sour smell!
That choking sour smell!
Whitewashed walls the reek of bleach
A blank stare hides her beliefs
Left the keys locked in the door
All that’s left is chrome and gore
That wretched twist inside
When seeing I survived
I survived…
And if her better angels find out
If her only chance is right now
Realize there’s no fate but what you make now
She’s still searching for a way out
She’s still running from the fallout
Present futures passing now
Breaking
Breaking down or breaking in
A martyr’s cause is giving in
Reasons to ask why
So many reasons that I never learned
to live’s to die
These forms collide just like before
Sweet sound they made scraped ‘cross the floor
Flipped the switch
Turned the key
Peeled apart like leaves
And if her better angels find out
If her only chance is right now
Realize there’s no fate but what you make now
She’s still searching for a way out
She’s still running from the fallout
Present futures passing now
Meme Department
Overview: “This song explores the hollowness of performative social interactions and the desperate attempt to impress people one actually detests. The song warns that if you aren’t enough on your own, you will never find fulfillment through others, regardless of how you reinvent yourself.”
Lyrics:
If I could stand on my head and get a different point of view
It’s like we’re trying to impress all the people we detest
Pretending to pretend we’re anything but the exception
Days are long
Years are short
A welcome distraction I ignored
If you’re not enough by yourself
You’ll never be enough with anybody else
We’re still holding on to everything
I’m just a sucker for brand new beginnings
If I could stand on my head
I’m just passing through
So keep your light alive
Long ago I let mine die
Days are long
Years are short
A welcome distraction I ignored
If you’re not enough by yourself
You’ll never be enough with anybody else
We’re still holding on to everything
I’m just a sucker for brand new beginnings
Moments steadily became memories in front of me
If you’re not enough by yourself
You’ll never be enough with anybody else
We’re still holding on to everything I’m just a sucker for brand new beginnings
Flash Bomb
Overview: “Caught between the past and an uncertain future. Despite wanting to leave town and find “forever,” they remain stuck in place, existing “between the cracks” as social structures collapse.”
Lyrics:
Muffled voices and white noises hover just beyond the light that paints the back lawn in a flash bomb
Toasting fireside
It’s four hours past your curfew
Should be on your way back home
Flirting with shadows that lick your cheeks in a symphonic amber glow
And I’m afraid to go alone
And everyone else has gone home
Finding it’s hard to say exactly how I feel
Keep watching seasons change
My world remains the only thing that’s real
Let’s leave this town together
Let’s find forever
Wherever
It’s been awhile since that smile had a reason to exist
In spite of all your promises
That you wrapped around your wrist
And at last light’s slowly fading
I should have took my chance
Flat foot, Face down like I cased a double
Bodied by romance
Finding it’s hard to say exactly how I feel
Keep watching seasons change
My world remains the only thing that’s real
Let’s leave this town together
Let’s find forever
Wherever
When social structures all collapse
I exist between the cracks
Finding comfort in the westbound lanes
How long will this last?
Finding it’s hard to say exactly how I feel…
Finding it’s hard to say exactly how I feel
Keep watching seasons change
My world remains the only thing that’s real
Let’s leave this town together
Let’s find forever
Wherever
Face Tattoo
Overview: “A somber meditation on past tragedy and personal trauma, this song visits the site of a friend’s death. The “tattoo” serves as a metaphor for the visible, inescapable pain and regret as they try to put their life back together.”
Lyrics:
A quiet country drive past the quarry on the county line
Where Danny’s older brother died
The red house on the left was where he took his last breath
Mixed Hennessy and Percocet
It’s all by design
That not all birds will touch the sky
Yeah, some were never meant to fly
But would it be so bad
To give all that I have?
It’s tattooed all across my face
For all to see
Yeah we want something better
Don’t wanna feel this forever
Stuck remembering
How to put this all back together
So what’s been on your mind?
I haven’t got much time
Hate to decline
Cornered by these strangers all the time
I never asked for this tattoo
Didn’t wanna see the truth
Choked like a noose
Smothering my will to follow through
But would it be so bad
To give all that I have?
It’s tattooed all across my face
For all to see
Yeah we want something better
Don’t wanna feel this forever
Stuck remembering
How to put this all back together
How do we put this all back together?
Reckoning for worse or for better
Speak out
Speak now
Just open your mouth
And tell me are you alright?
Tell me have you crossed that line?
Tell me do you feel out of time, no hope to find?
Tell me have you bottomed out?
Tell me are you filled with doubt?
Tell me just what brought about this falling out?
Tell me are you pushing dirt?
Tell me how long has this hurt?
Scared I might just make things worse
Yeah we want something better
Don’t wanna feel this forever
Stuck remembering
How to put this all back together
How do we put this all back together?
Reckoning for worse or for better
Elder Emo
Overview: “A humorous and nostalgic look at aging in the punk and emo scene, the song attempts to contrast youthful rebellion with the realities of aging not so gracefully. Despite suburban life and changing bodies, the song celebrates the fact that they never truly grew out of their phase.”
Lyrics:
We were young and dumb
Now we’re old and numb
Knee brace and hard rocking 501’s
Didn’t think we would get this far
And I never thought I would live to see today
Guess this is middle age
Just another elder emo
Never grew out of the phase
Just another elder emo
Faux hawk’s turning gray
Just another elder emo
Got a house out in the burbs
All the neighbors think I’m crazy
And my family’s still concerned
Traded Jag Bombs and bumps for Prilosec and Tums
Mowing my lawn at the crack of dawn
Spent all these years collecting battle scars
Now it’s just our bodies in decay
Cuz’ this is middle age
Just another elder emo
Never grew out of the phase
Just another elder emo
Faux hawk’s turning gray
Just another elder emo
Got a house out in the burbs
All the neighbors think I’m crazy
And my family’s still concerned
Still bombing hills the same way that we used to
Shotgunning brews the same way that we used to
Full send. No pads. No breaks.
Just another elder emo
Never grew out of the phase
Just another elder emo
4 o’clock buffets
Just another elder emo
Got a house out in the burbs
All the neighbors think I’m crazy
And my family’s still concerned
Human Centipede
Overview: “This track lashes out at the “delusional” nature of artificial social circles (Social Media) and people who curate their lives in a lie. It portrays a world of performative affirmations and “alibis,” but really we are all just putting on a show for likes and Subscribes.”
Lyrics:
Can’t keep cutting off these corners
No matter how hard that you try
When all your dreams exist on paper
Closet’s full of alibis
Maybe you’d prefer a poet
Someone better at goodbyes
Wishing life was like the movies
All romance aside
Must be fun to be so delusional
So many friends but they’re artificial
Must be fun to be so delusional
Put your mask back on
Same true stories that you made up
Convinced the whole damn world
You’re a slave to affirmations
And getting the last word
A constant stream of voices
The din is deafening
A patient run asylum
But it’s welcoming
Must be fun to be so delusional
So many friends but they’re artificial
Must be fun to be so delusional
Put your mask back on
Two cents you never had
As true as it is sad
The devil in disguise
So much more than all the lies
Must be fun to be so delusional
So many friends but they’re artificial
Must be fun to be so delusional
Put your mask back on
Crash and Burn (Explicit Lyrics)
Overview: “A nervous, romantic encounter leads to love at first sight, but quickly filled with the fact that she is already with another. Things change through the night when she takes the lead and gives a shy guy a chance.”
Lyrics:
Take things slow
Don’t fuck this up by rushing
Changed the stars and now I’m becoming
The one who’s sure of absolutely nothing
Lost control I’m wanting more than some fling
Nameless she remained
I couldn’t look away
Riverside just past the ides
She caught my eye
Formal dress nervous and stressed
My mouth is dry
She’s here with another
Never going to recover From this crash
I need a system patch
Just a gubbish hack
Can I be your crash override?
You’re my acid burn
I need you by my side
We’re floating in a starry sky tonight
Can I be your crash override?
Dark-haired blue-eyed smile
She bested me without even trying
Yeah she’s elite
My mind goes blank
no where to run
she turns to me
Failure to load
Can’t find talk mode
She takes the lead
Can I be your crash override?
You’re my acid burn
I need you by my side
We’re floating in a starry sky tonight
Can I be your crash override?
Spotlight shines on me
Blinded I can’t see except for her eyes
They’re locked with mine
Will you take my hand?
Promise that I can have the last dance
My only chance
Can I be your crash override?
You’re my acid burn
I need you by my side
We’re floating in a starry sky tonight
Can I be your crash override?
Stillwater (Explicit Lyrics)
Overview: “Capturing the essence of restless youth, this song is about piling into a van and driving aimlessly into the night to escape the boredom of growing up. It is a tribute to late-night highway freedom, fueled by “favorite punk rock tunes” and the desire to kill time until dawn.”
Lyrics:
So load the van
Coast it down the street
Half a block and we’re free
Pedal to the floor
Get us nowhere fast
We can’t hardly wait
Speed into the night
No headlights
Just ‘cuz growing up can be so damn boring
Driving ‘round no destination bound
Singing along to our favorite punk rock tunes
Bored, aimless youth
What we’re holding on to
Pitch black highways
Westbound and down
Wherever we may roam
Doyle take the wheel
‘Cuz I’m too high to drive
Taste of Ink on repeat
Cutting through state lines
Killing time ‘Til it’s
four o’clock in the fucking morning
Driving ‘round no destination bound
Singing along to our favorite punk rock tunes
Bored, aimless youth
What we’re holding on to
